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This was to enable the ship to hear underwater bells, which were attached to floating buoys out at sea along the east coast of Canada and the United States to warn of the approaching coast (the approaching iceberg was, of course, notoriously silent).It is impossible to underestimate the importance of the great Italian Guglielmo Marconi in the tragedy.

Is this one of the dead-ends of minimalism? This hymn tune forms a base over which other material is superimposed.

How they ever did it I cannot imagine.”This Episcopal hymn, then, becomes a basic element of the music and is subject to a variety of treatments. Marconi’s hope was to develop sufficiently sensitive equipment, extraordinarily powerful and selective filters I suppose, to pick and hear these past, faint sounds.

Richard Gavin Bryars (born 1943) is an English composer and double bassist. Listenable, but didn't love it.The first track is a very sombre loop of violins, thats weirdly poignant.

This includes fragments of interviews with survivors, sequences of Morse signals played on woodblocks, other arrangements of the hymn, other possible tunes for the hymn on other instruments, references to the different bagpipe players on the ship (one Irish, one Scottish), miscellaneous sound effects relating to descriptions given by survivors of the sound of the iceberg’s impact,  and so on.In addition, this new recording includes two different ensembles of children: one of girls, the other of boys (the presence of children on the ship adds greater poignancy to the disaster, especially when one looks at the statistics relating to survivors).

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The Titanic built with a newfound faith in scientific industriousness was torn asunder by an immense iceberg.

Bride did not hear the band stop playing and it would appear that the musicians continued to play even as the water enveloped them.

It is probably packed with unbearable amount of pretentiousness and self-indulgence. Performers: Eva Hart John Nash

Here is a link to a Russian translation of the article and a short story inspired by the piece and written by one of Gavin's fans (also in Russian). The Sinking of the Titanic (1969, first performance: Queen Elizabeth Hall, London, 1972).

Necropolis, soundtrack for …

The band was still playing. The other is a fine choir from Suffolk – the Wenhaston Boys Choir – which I encountered through my bass-maker Michael Hart and whose son sang with them for many years.One of the features of the Bourges recording was the extraordinary acoustic space in which we played.

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