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However, the King produces it and points to the portrait of Don Carlos which it contains, accusing her of adultery. After Elisabeth exits, Eboli, left alone, curses her own beauty and pride, and resolves to make amends by trying to save Carlos from the Inquisition (Aria: "O don fatal" / "O don fatale"). She also confesses that she herself has had an affair with the King.

She leaves behind Don Carlo who is inconsolable. The crowd of people beg Elisabeth to agree to marrying the King of Spain, so that the war will stop. Elisabeth kneels before the tomb of Charles V. She is committed to help Don Carlos on his way to fulfill his destiny in Flanders, but she herself longs only for death (Aria: "Toi qui sus le néant" / "The King and the Grand Inquisitor enter, with several armed guards. The Inquisitor appears. Carlos, calling on God for protection, draws his sword to defend himself against the guards. In the confusion, Eboli escapes with Carlos. It was given on 29 December 1886 in Modena, and has become known as the "Modena version", which was published by Today, as translated into Italian and presented in the Milan and Modena versions, the opera has become part of the standard repertory. Posa is first shocked, but then sympathetic. It tells the story of the eponymous Don Carlo, son of the King of Spain. In the cloisters of St. Just, Elisabeth has decided to help Don Carlo go to Flanders. The sound of his voice frightens Carlos, who thinks it sounds like that of the Emperor Charles V. Carlos further notices that the monk physically resembles the Emperor, and recalls hearing rumors that the Emperor's ghost haunts the monastery. The King is impressed with Rodrigo and promotes him to duke.

Don Carlos wants to see the girl he is to marry. Rodrigo quickly disarms his friend even though the King's men dare not attack him. Lost on a hunting expedition, Elisabeth de Valois runs into the young Prince of Spain, Don Carlos. Elisabeth is torn but decides to agree to the condition to uphold the peace treaty. He calls in his Grand Inquisitor who has been keeping watch over Rodrigo and Elisabeth. Outside the church, a large crowd has gathered to watch a parade of heretics being lead to their executions. 15–16, reinforces this with details of the play.Kimbell 2001, p. 1002, notes that "some of the deleted material from this served as the seed for the 'Lacrymosa' in the Budden, p. 26; for the Italian translation by Achille de Lauzières, see Don Carlo is a classic Opera written by Giuseppe Verdi in 1867. The King now approaches Posa, with whose character and activism he is impressed, and offers to reward him for his loyalty and service.

The first Italian version given in Italy was in Over the following twenty years, cuts and additions were made to the opera, resulting in a number of versions being available to directors and conductors. The King calls Posa's idealism unrealistic and warns that the Grand Inquisitor is watching him. The King gratefully accepts this offer, and again warns Posa to beware of the Grand Inquisitor. Don Carlos has been imprisoned. Posa draws his dagger, intending to stab her to death, but reconsiders, spares her, and declares his trust in the Lord. The two men swear eternal friendship (Duet: "Dieu, tu semas dans nos âmes" / "Dio, che nell'alma infondere"). Later when he learned of the alterations, Verdi was greatly irritated, but Costa's version anticipated revisions Verdi himself would make a few years later in 1882–83.This version of the opera was first performed in Milan at Although Verdi had accepted the need to remove the first act, it seems that he changed his mind and allowed a performance which presented the "Fontainebleau" first act along with the revised four-act version. Don Carlos mistakes her for Elisabeth in the dark, and passionately declares his love. Moments later, King Filippo, Don Carlo's father, finds his Queen unattended.

The people are brave enough at first in the presence of the King, but they are terrified by the arrival of the Grand Inquisitor, and instantly obey his angry command to quiet down and pay homage to the King. Their laments of suspicion cause the King to realize that he has been wrong to suspect his wife ("Maudit soit le soupçon infâme" / "Ah, sii maledetto, sospetto fatale"). Posa gives her a letter from France, which covers a secret note from Don Carlos. However, from one version to the other none of the finesse is lost, be it in the score or the dramatic intrigue which, from the Escorial to Flanders, interweaves political, romantic and family conflicts. King Philip and his new wife, with their attendants, enter also to do homage at Charles V's tomb, while Don Carlos laments his lost love. They become even happier when they reveal their identities. When they plead for the heretics clemency, King Filippo denies them, and Don Carlo angrily draws his sword against his father. Don Carlo asks Elisabeth to convince his father to allow him to go to Flanders, and she quickly agrees. He fires her lady-in-waiting, and Elisabeth mourns her departure. Elisabeth kneels before the tomb of Charles V. She sings of her lost youth in France (some of the music from Act I comes back here). Elisabeth, daughter of the King of France, arrives with her attendants. No matter which way you look at it, the Sarasota Opera’s production of the original 1867 full-length Paris version of Verdi’s grand “Don Carlos” is an astonishing achievement. He tells Rodrigue that he is afraid of what is going on between Elisabeth and Carlos. A Don Carlos Giuseppe Verdi ötfelvonásos operája.Szövegét Friedrich Schiller drámája nyomán Joseph Méry és Camille du Locle írta. Don Carlo, who has received a letter requesting a rendezvous with him in the garden, shows up at the party.

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